बुधवार, 14 जून 2017

A shower of film study courses from FTII

Delhi, June 14, 2017: She is a 20-year-old whose views about cinema barely extend beyond beauty, romance and her favorite actors. But she got a good peep into how cinema voices and shapes opinions on serious issues after attending a film appreciation course in Delhi in mid-May.

“I had seen the Charlie Chaplin classics as a child and found them hilarious but watching Modern Times in the class opened my eyes to the serious side; the course class about the portrayal of women in cinema was also very interesting and educative,” said Manmeet K Bherauchi, a student of journalism at Toronto’s Sheridan College. Organized by the prestigious Film and Television Institute of India (FTII)--for the first time outside Pune--the course aims to promote cinematic literacy. The first four-day course received an “overwhelming response”, according to FTII Director Bhupendra Kainthola. The Directorate of Film Festivals was a partner in the course conducted in Delhi’s Siri Fort auditorium, and a side show of award-winning films kept some students happily engaged in the evening.

Filmmakers, students and journalists were not the only ones drawn to the course. The 150 participants included engineers, IT professionals, government servants and university teachers, who came from far off places like Tripura, Gujarat and Maharashtra. The maximum number came from Delhi and neighboring Punjab, Haryana, Uttrakhand, U.P. and Rajasthan. Referring to an IT professional who came all the way from Pune to attend the Delhi course, Kainthola light-heartedly said, “It is unpardonable”but shows the response they got. “He really wanted to attend and the month-long Pune course is too long for a busy professional like him.” Responding to the demand, another short FA course will be held in Delhi June 23 onwards. In fact, FTII’s June calendar is dotted with screenplay writing, acting and film appreciation courses in Delhi. Bherauchi however felt that the four-day course, packed with seven long hours of study, from the history of cinema to the treatment of sensitive issues like violence against women, in the Delhi summer are too exacting.

 “The course should be lighter, more fun than study and the interactive sessions about a discussion on films we watch should be longer,” she remarked. She also felt that the course should have separate categories for amateurs and professionals because “one size does not fit all.” Kainthola said the future courses would weave in these suggestions. Digital cinematography and documentary film-making courses along with advanced versions of the short courses are also on the anvil. FTII’s domain expertise in promoting film education goes back to the summer of 1967 when the first film appreciation course was held in Pune. Since 1975, FTII and National Film Archives of India (NFAI), both under the Union Information and Broadcasting Ministry have jointly conducted month-long residential courses during the summer. As part of its new outreach initiative SKIFT (Skilling India in Film and Television) “to democratize film education”, FTII is presently in talks with various state governments, universities and NGOs to conduct similar courses countrywide, including Chandigrah. Canon, the digital imaging giant, is SKIFT’s technology partner, and FTII is stitching up partnerships with other sponsors. 

An acting workshop for children aged seven to 14 years together with the Punjab, Haryana and Chandigarh Chamber of Commerce (PHDCC) is also scheduled in Delhi from June 16. Kainthola said, subject experts would be enlisted for each course for “additional enrichment”. Eminent film personalities Ms Bela Negi and Shubamoy Sengupta were the teachers for the debut course. The cost of the different courses—ranging from 2,500 for the four-day course to 25,000 rupees for the three-week course—some students felt was high. Kainthola said, short courses, particularly skill-oriented ones, “by their very nature are always slightly expensive”. Careful budgeting, he added, was done before deciding the fee.

“Considering the duration, the intensive rigour and FTII’s brand value, it is value for money,” he said. 

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